{"id":239862,"date":"2026-03-05T12:58:11","date_gmt":"2026-03-05T10:58:11","guid":{"rendered":"https:\/\/www.nationalgallery.gr\/?post_type=anakoinwseis&p=239862"},"modified":"2026-03-05T12:58:12","modified_gmt":"2026-03-05T10:58:12","slug":"march-at-the-national-gallery-alexandros-soutsos-museum","status":"publish","type":"anakoinwseis","link":"https:\/\/www.nationalgallery.gr\/en\/announcements\/march-at-the-national-gallery-alexandros-soutsos-museum\/","title":{"rendered":"March at the National Gallery \u2013 Alexandros Soutsos Museum"},"content":{"rendered":"\n
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March at the National Gallery \u2013 Alexandros Soutsos Museum is bringing new exhibitions, musical encounters, and a variety of diverse activities for the public.<\/p>\n

The exhibition of Helene Pavlopoulou titled\u00a0Zoephoros <\/em>opens at the Nafplion Annex.\u00a0The works in the exhibition engage in a dialogue with works from the Annex\u2019s permanent collection, aiming to explore new ways of viewing, to seek multiple meanings, and to reinterpret the past through the eyes of the present.<\/p>\n

Concurrently, the exhibition\u00a0Irene Aperghis: archive \u2013 furniture & decoration \u2013 painting<\/em>\u00a0continues at the Contemporary Greek Art Institute (<\/strong>ISET), as do the performances of Konstantinos Hatzis\u2019 theatrical work\u00a0Medea. Exodus III<\/em>, in which Euripides \u201cconverses\u201d with Yannoulis Chalepas in the evocative space of the National Glyptotheque.\u00a0Furthermore, at the Central Building of the National Gallery, the third musical meeting with the Athens Classical Players will take place, titled\u00a0Spring Symphony \u2013 19th Century<\/em>.\u00a0Finally, as every month, educational workshops and guided tours will be held at the National Gallery also in March.<\/p>\n

We invite all of you to participate this month as well in a comprehensive programme of exhibitions and events that highlights the interdisciplinary dialogue between the arts and the timeless value of artistic expression.<\/p>\n

National Gallery – Central Building<\/u><\/strong><\/p>\n

Musical Event<\/strong><\/p>\n

Painters and Composers meeting in time: Spring Symphony \u2013 19th Century<\/em><\/strong><\/p>\n

Athens Classical Players<\/strong><\/p>\n

As part of the musical program\u00a0Painters and Composers Meeting in Time<\/em>, the National Gallery hosts the third concert titled\u00a0Spring Symphony \u2013 19th Century<\/em><\/strong>\u00a0on March 18<\/strong>.<\/p>\n

Masterpieces of classical Western music converse with contemporary works from the Museum’s permanent collection in a series of short concerts with the Athens Classical Players<\/strong>.\u00a0This meeting highlights the unique aesthetic resonance and artistic currents of each century, in both Painting and Music.<\/p>\n

Both the musical compositions and paintings are presented together so that the audience can better understand the shared ideas, aesthetic elements, and artistic trends of the era.\u00a0The key elements of the programme are: the common techniques of composition and form; the use of colours (in painting) and timbres (in music); and the morphological and stylistic developments of artistic media.<\/p>\n

The program is curated by Iris Louka<\/strong>.\u00a0The musical works selected represent primary examples of their time and are thematically linked to the artworks presented from the permanent collection.<\/p>\n

The event is designed to be accessible to people with mobility impairments and wheelchair users, as well as to people with visual impairments.<\/p>\n

The venue of the central building of the National Gallery is designed to accommodate people with mobility impairments and wheelchair users, right from the entrance and the concert hall to the exhibition halls, ensuring their comfortable and safe participation.<\/p>\n

For people with visual impairments, there will be:<\/p>\n

– an organized tactile tour that will take place before the start of the concert
\n– audio descriptions of the two paintings.<\/p>\n

Those wishing to participate in the tactile tour<\/strong> are kindly requested to register in time by filling out the following Google Form by Monday, March 16, to ensure the best possible experience for everyone:<\/p>\n

https:\/\/docs.google.com\/forms\/d\/105h01-0IdJlvqNzxYeyv2dRQrAgMa4lEalSuO4gEsdg\/viewform?edit_requested=true<\/a>.<\/p>\n

3rd Concert<\/strong><\/p>\n

Spring Symphony \u2013 19th Century<\/em><\/p>\n

March 18, 2026, 19:30
\nNational Gallery \u2013 Alexandros Soutsos Museum, Central Building
\nAdmission is free.
\nNo seat reservation is required.
\nAn entrance ticket for the Permanent Exhibition of the National Gallery is required.<\/p>\n

Paintings:<\/strong><\/p>\n

Nikolaos Gyzis (1842-1901)\u00a0Spring Symphony<\/em>
\nI. Aivazovsky (1817-1900)\u00a0Men on Rocks<\/em><\/p>\n

Musical Works:<\/strong><\/p>\n

Ludwig van Beethoven (1770-1827)<\/strong><\/p>\n

String Trio in C Minor 1st mvt (9′)
\nViolin: Iris Louka
\nViola: Tania Charitopoulou
\nCello: Nora Karakousoglou<\/p>\n

Franz Schubert (1797-1827)<\/strong>
\nString Quartet \u201cDeath and the Maiden\u201d 1st mvt (15′)
\nViolins: Giorgos Mandilas, Christoforos Karathanasis
\nViola: Antilochos Tranos
\nCello: Asterios Pouftis<\/p>\n

Johannes Brahms (1833-1897)<\/strong>
\nClarinet Quintet, 1st mvt (9\u2019)
\nClarinet: Spyros Mourikis
\nViolins: Ioanna Gaitani, Iris Louka
\nViola: Tania Charitopoulou
\nCello: Asterios Pouftis<\/p>\n

Piotr I. Tchaikovsky (1840-1893)<\/strong>
\nSouvenir de Florence for string sextet
\n1st mvt (10′)
\nViolins: Maria Tsogia-Razakova, Iris Louka
\nViolas: Antilochos Tranos, Petros Vlassis
\nCellos: Asterios Pouftis, Nora Karakousoglou<\/p>\n

 <\/p>\n

National Glyptotheque\u00a0<\/u><\/strong><\/p>\n

Medea Exodus III
\nKonstantinos Hatzis\u00a0<\/strong><\/p>\n

Euripides \u201cconverses\u201d with Yannoulis Chalepas at the National Glyptotheque.<\/p>\n

Following Medea through a verbatim reading of Euripides\u2019 play, the theatrical performance focuses on her journey as a symbol of \u201cuprooting.\u201d\u00a0A refugee, torn from her homeland, Colchis, she arrives in a second home \u2014 the city of Corinth \u2014 without any political rights. She is doubly exiled: from her homeland and her kin, experiencing social exclusion as a “foreigner” as well as the exile of the soul, betrayed by the god eros\/demon in the person of Jason.<\/p>\n

Three performers narrate the story of Medea, incorporating fragments of words from Medea and Jocasta by Giannis Kontrafouris into the text.<\/p>\n

The performance unfolds at the National Glyptotheque and \u201cconverses\u201d with the eponymous work by one of the greatest Greek sculptors, Yannoulis Chalepas,\u00a0Medea III<\/em>\u00a0(Plaster, 72 \u00d7 44 \u00d7 26 cm), through the lighting \u201cpresences\u201d and the particular reflections of the glass case, offering impressive, different visual perspectives to every viewer.<\/p>\n

The performance\u00a0Medea. Exodus III<\/em>\u00a0highlights the philosophical dimension of uprooting, the eternal displacement of female populations, the female entity, the conflict with the identity of the \u201cforeigner,\u201d the harsh integration into \u201cnew homelands,\u201d and social exclusion.<\/p>\n

Venue:<\/strong>\u00a0National Glyptotheque, Alsos Stratou, Goudi
\nDates:<\/strong>\u00a0February 25 to March 15, Wednesday to Sunday<\/p>\n

Start time: <\/strong>19:30
\nDuration:<\/strong>\u00a070\u2019<\/p>\n

Entrance fee:<\/strong>\u00a015\u20ac
\nPresale <\/strong>here<\/strong><\/a><\/p>\n

Credits:<\/strong>
\nDirection\/Text Compilation\/Adaptation: Konstantinos Hatzis
\nButoh: Ioanna Garagouni
\nLighting\/Costumes: Chroma Group
\nPhotographs: Angelos Hill<\/p>\n

Performers:<\/strong>
\nGina Thliveri
\nThanos Stasinos
\nKonstantinos Hatzis<\/p>\n

The performance\u00a0Medea. Exodus III<\/em>\u00a0is held under the auspices and with the financial support of the Ministry of Culture.<\/p>\n

The performance is in Greek.<\/p>\n

 <\/p>\n

Annex of<\/u><\/strong> the National Gallery \u2013 Alexandros Soutsos Museum<\/u><\/strong> – <\/u><\/strong>Nafplion<\/u><\/strong><\/p>\n

HELENE PAVLOPOULOU
\nZoephoros\u00a0<\/em><\/p>\n

The Nafplion Annexe of the National Gallery \u2013 Alexandros Soutsos Museum hosts in the temporary exhibition hall an exhibition dedicated to the paintings of Helene Pavlopoulou titled\u00a0Zoephoros<\/em>.<\/p>\n

The exhibition includes twenty-one artworks which converse with the historical paintings of the permanent collection of the Nafplion Annexe of the National Gallery \u2013 Alexandros Soutsos Museum.\u00a0The goal of the exhibition is not the representation of visual reality but the investigation of new ways of viewing, the search for multiple meanings, and the reinterpretation of the past through the lens of the present.\u00a0Concepts of freedom and its reclamation, as well as references to the elements and the preservation of our natural environment, constitute major axes of the painter’s personal visual vocabulary.<\/p>\n

Helene Pavlopoulou’s visual universe includes many symbolic places: the Parthenon, Athens, Arcadia; It also includes prominent figures: Georgios Gemistos-Plethon, Manuel Chrysoloras, Voltaire, Rigas Feraios, Heroes of the 1821 Revolution, Ioannis Kapodistrias; and symbols such as birds, plants, horses, and fragments of ancient sculptures.\u00a0Using these archetypes, the painter stands among them in an eternal response, harmoniously condensing them in the limited space of the artwork and transforming socio-political and historical events into powerful poetic allegories.<\/p>\n

The bicentenary of the Greek Revolution was a source of inspiration for Helene Pavlopoulou, who rendered the portraits of the fighters in an ethereal, allusive way.\u00a0Through this transcription, she highlighted the persistent presence of the past in the present and the future, pointing out that the Revolution remains alive within the cracks of time.\u00a0Drawing inspiration primarily from the portraits of the Bavarian painter Karl Krazeisen (1794 – 1878), she reinterprets the faces of the heroes as markers of collective memory, transcending the bonds of matter and activating the viewer’s emotion for the completion of their image.<\/p>\n

The collection of works in this exhibition demonstrates how Helene Pavlopoulou transforms the past into a new universe of dynamic lines and dreamlike diffusion of the colour spectrum, restoring the image of lost unity with nature.\u00a0Through her works, she approaches timeless themes and invites viewers into a dialogue, underlining the relationship of the art of painting with memory, as the act of painting keeps the traces of past figures and forms alive.<\/p>\n

Opening:\u00a0Saturday, March 28, 20:00
\nNafplion Annexe of the National Gallery \u2013 Alexandros Soutsos Museum
\nSidiras Merarchias 23, Nafplion<\/p>\n

General Direction:\u00a0Syrago Tsiara
\nExhibition Curator:\u00a0Lambrini Karakourti-Orfanopoulou
\nProduction Coordination:\u00a0Eirini-Dafni Sapka
\nVisual Identity:\u00a0A4 DESIGN<\/p>\n

Duration:\u00a0March 28, 2026 \u2013 January 17, 2027<\/p>\n

ISET \u2013 Institute of Contemporary Greek Art<\/u><\/strong><\/p>\n

IRENE APERGHIS: archive \u2013 furniture & decoration \u2013 painting<\/p>\n

The exhibition IRENE APERGHIS: archive \u2013 furniture & decoration \u2013 painting<\/em> maps out important milestones in Aperghis\u2019 artistic research, from her early experiments in geometric abstraction, which characterize her \u201creturn\u201d to painting, to the dynamic wall compositions in irregular formats, in which she abandons the convention of the canvas. All the works on display belong to the collection of the National Gallery \u2013Alexandros Soutsos Museum (EPMAS), which acquired them through purchases \u2014already from Aperghis\u2019 first solo exhibition in 1979\u2014 through the Maria Dimitriadi Bequest, of whose gallery hosted four solo exhibitions of Aperghis, as well as following the recent donation by Georges Aperghis.<\/p>\n

Before \u201creturning\u201d to painting in the mid-1970s, Irene Aperghis, following her studies at the Athens School of Fine Arts (1939\u20131948), worked for approximately twenty-five years as a freelance furniture designer and interior decorator. Presented in the exhibition for the first time, furniture designs and painted watercolors of interior layouts and furnishings from Aperghis\u2019 archive reveal a largely neglected dimension of her professional practice. This archival material, which \u2014like the Irene Aperghis\u2019 archive in its entirety\u2014 survive thanks to the meticulous \u201carchival care\u201d of her friend, the visual artist Diohanti, illuminate in a unique way the social history of furniture and the transformations of the domestic interior in postwar Greece, shaped by rapid urbanization, intensive reconstruction, and processes of \u201cmodernization.\u201d<\/p>\n

In 2019, the archive of Irene Aperghis, along with that of her husband, the sculptor Achilleas Aperghis (1909\u20131986), was donated to the Contemporary Greek Art Institute.<\/p>\n

Artistic Direction: Syrago Tsiara, Director of the National Gallery
\nHead of ISET (National Gallery Annex): Natasa Tsaropoulou<\/p>\n

Exhibition curator: Eugenia Alexaki, Art Historian
\nExhibition architectural design: Eirini \u2013 Daphne Sapka
\nExhibition coordination: Eirini \u2013 Daphne Sapka, Natasa Tsaropoulou<\/p>\n

Opening: Thursday, February 19, 2026, at 7:00 PM
\nDuration: until May 15, 2026<\/p>\n

ISET \u2013 Institute of Contemporary Greek Art, 9A Valaoritou, Athens
\nExhibition opening hours: Monday \u2013 Friday, 10:00 AM \u2013 6:00 PM<\/p>\n

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