His focus consistently on the human figure, Christos Kapralos fashioned his own personal style through the assimilation of the doctrines of ancient Greek and folk art as well as those of the European avant garde. He made his first works of clay and plaster, realistic but at the same time simplified and pure. When he turned to the use of bronze in 1957 the human body was transformed into Nikes and mythological figures, ancient warriors, couples, mothers and children. <\/p>\n
In 1965 Kapralos began using wood, eucalyptus trunks in particular. This gave him the opportunity to create compositions powerfully schematic and strongly non-figurative, obedient to the form imposed on him by the shape of the trunks themselves. Thus, he created a series of works inspired by the events and figures of antiquity, such as \u201cWarrior\u201d, a theme which had occupied him since the Fifties. In contrast, however, to the dramatic intensity which characterized the older compositions in bronze, the \u201cWarrior\u201d made of wood acquires a monumental character and thus is transformed into a symbol of Victory.<\/p>\n","protected":false},"excerpt":{"rendered":"
His focus consistently on the human figure, Christos Kapralos fashioned his own personal style through the assimilation of the doctrines of ancient Greek and folk art as well as those […]<\/p>\n","protected":false},"author":2,"featured_media":134667,"template":"","artwork_category":[217,122],"artwork_type":[4,65],"location":[47,58],"class_list":["post-12724","artwork","type-artwork","status-publish","has-post-thumbnail","hentry","artwork_category-modernism-and-tradition","artwork_category-monternismos-kai-paradosi","artwork_type-glyptiki","artwork_type-sculpture","location-glyptothiki","location-national-glyptotheque"],"acf":[],"yoast_head":"\n