{"id":12736,"date":"2024-07-06T01:30:10","date_gmt":"2024-07-05T22:30:10","guid":{"rendered":"https:\/\/www.nationalgallery.gr\/?artwork=to-the-dreams-left-behind-and-defeated"},"modified":"2024-07-06T01:30:10","modified_gmt":"2024-07-05T22:30:10","slug":"to-the-dreams-left-behind-and-defeated","status":"publish","type":"artwork","link":"https:\/\/www.nationalgallery.gr\/en\/artwork\/to-the-dreams-left-behind-and-defeated\/","title":{"rendered":"To the Dreams Left Behind and Defeated"},"content":{"rendered":"<p>Constantinos Dimitriadis could be characterized as Rodin\u2019s most consistent representative in modern Greek sculpture. He adopted the French artist\u2019s style of modeling forms and used the same subject matter as a point of departure. <\/p>\n<p>&#8220;To the Dreams Left Behind and Defead&#8221; is a characteristic example. It was to have been the central scene in a larger iconographical sculpture group titled &#8220;Life\u2019s Defeated&#8221;. Nine individual scenes were to comprise the whole, references to the failures, disappointments, dilemmas and efforts of ordinary human beings in the course of life.<\/p>\n<p>Dimitriadis carved two versions  of &#8220;Dreams Left Behind and Defeated&#8221;. In the first, an unseen figure covered by the veil of Destiny rises up to envelop a couple. The second version is on display in the National Glyptotheque.<\/p>\n<p>The powerful, muscular man, here, seems to have surrendered to his fate. His facial expression imparts a sense of forbearance, perhaps even reverie. The woman, curled up as if seeking protection, leans towards her companion.   <\/p>\n<p>The man\u2019s well-defined musculature and the woman\u2019s soft curves are elements that characterize many of Dimitriadis\u2019 works and reveal the influence of Rodin\u2019s views on modeling forms. The same is true for the heavy, unrefined block of marble that frames the figures, allowing them to emerge as nearly carved in the round.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Constantinos Dimitriadis could be characterized as Rodin\u2019s most consistent representative in modern Greek sculpture. He adopted the French artist\u2019s style of modeling forms and used the same subject matter as [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":167186,"template":"","artwork_category":[184,120],"artwork_type":[4,65],"location":[47,58],"class_list":["post-12736","artwork","type-artwork","status-publish","has-post-thumbnail","hentry","artwork_category-from-19th-to-20th","artwork_category-apo-ton-19o-ston-20o-aiona","artwork_type-glyptiki","artwork_type-sculpture","location-glyptothiki","location-national-glyptotheque"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>To the Dreams Left Behind and Defeated - National Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nationalgallery.gr\/en\/artwork\/to-the-dreams-left-behind-and-defeated\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To the Dreams Left Behind and Defeated - National Gallery\" \/>\n<meta property=\"og:description\" content=\"Constantinos Dimitriadis could be characterized as Rodin\u2019s most consistent representative in modern Greek sculpture. 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