Giorgos Nikolaidis’ sculpture encompasses a broad spectrum of forms, from traditional anthropocentric representations to abstract constructivist compositions, as well as environments and installations. In his earliest pieces he focused on the human figure. The abstract tendency in these works gradually morphed into total abstraction.
In the 1970s Nikolaidis produced a series of sculptures in stainless steel, which he titled with numbers. These works are fashioned from segments of cylindrical shapes with pointed ends that coil freely and dynamically in the space or converge in various rhythmic combinations. The dominant feature is a perpetual circular or spiral movement that is immediately perceptible in some works but latent in others.
“1211A” is a characteristic piece from this series. Starting out from aggressive acute-angled shapes in its lower portion, it evolves into two cylindrical segments that seem to want to form a circle. The piece is incorporated into and coexists harmoniously with the surrounding space. At the same time, the space is defined by the shape and encompassed by it, contributing to the refinement of the sculptural form.