Yannis Gaitis was a restless and inventive man with a strong need to question things coupled with an innate sense of humor. These qualities characterize his art and are embodied in his signature little men.
The little man, a kind of “everyman,” appeared in Gaitis’ painting in the early sixties. He was gradually standardized, schematized and became the protagonist of his compositions, rhythmically repeated in a multitude of combinations. The little man later moved beyond the strict confines of the two-dimensional painted image. He went on to occupy three-dimensional space, decorating furniture and all sorts of everyday utilitarian objects, entered the realm of fashion, and starred in environments and happenings as a finally living human being.
“Mass Transport” is an expression of Gaitis’ critical as well as ironic view of the homogenization, encapsulation and isolation of humankind in urban centers. The double title – “Mass Transport” or “General Transport” – provokes a number of different associations.